Monday, July 6, 2015

Jiggs Whigham: not so standards

Azica Records
By Ric Bang
Buy CD: not so standards

I’m willing to bet that few readers will recognize any of this trio’s artists ... although I might be mistaken when it comes to trombonist Jiggs Whigham. He leads this group, and he played with two of the more famous “ghost” bands: the Glenn Miller orchestra that was led by Ray McKinley in 1961, and the 1963 Stan Kenton “mellophonium” band. 

Whigham was born in Cleveland, Ohio, in 1943; he was only 17 when he joined the Miller group. But touring wasn’t what he wanted as a profession, so — after his stint with Kenton — he settled in New York City to play commercially. That didn’t satisfied him either, so he migrated to Germany, where he still lives and works.

Whigham teaches and is a regular with big bands led by Kurt Edelhagen, Bert Kaempfert and Peter Herbolzheimer (likely unknown in the States, but big in Germany). Whigham also has been musical director for the Radio in the American Sector Big Band, and currently conducts Great Britain’s BBC Big Band. He periodically returns to the U.S., where he plays and records with American jazz artists.

The trio featured on this release is unusual, in that it consists of trombone, piano and electric bass. German-born Florian Weber is on piano, while Romanian-born Decebal Badila handles the bass. The session, recorded live at Cleveland’s Nighttown Jazz Club, contains three Great American Songbook standards (“The Days of Wine and Roses,” “Autumn Leaves” and “Some Day My Prince Will Come”), two jazz standards (“Bags’ Groove” and “Saint Thomas”) and one original by Whigham. 

The trio sound is unique: definitely not what most folks are accustomed to hearing. Part of that is the instrumentation: The electric bass isn’t as “full” as an upright, and there’s no drummer to help fill in the “bottom.” Additionally, the musicians’ overall style shows a noticeably modern European influence: smooth and “clean,” and not as loose or swinging as many American talents.

All that said, “different” is no less enjoyable. Whigham’s trio delivers an impressive album, and one that deserves placement in your library.

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