Lyn Stanley: Interludes

Self-produced
By Ric Bang
Buy CD: Interlude

This is a beautiful album, first-class in every way, starring a multi-talented woman graced with a flawless voice. 

But it isn’t true jazz.

Lyn Stanley is quite exceptional. She’s a college graduate with a PhD in communications, and a successful career in business. She has won championships in USA DanceSport, and placed third in a World ProAm event. She also has studied voice under coach Annette Warren Smith — famed jazz pianist Paul Smith’s wife — and is an audiophile fanatic. Stanley’s recordings have been released on high-end vinyl, SACD stereo and reel-to-reel tape.

(Incidentally, Stanley dedicated this album to Paul Smith.)

Interlude has a lot going for it, starting with 14 classics from the Great American Songbook, with excellent arrangements by some of the music world’s best. Additionally, the two bands supporting Stanley include some truly great artists: among others, pianist Bill Cunliffe, bassist Chuck Berghofer, trombonist Bob McChesney and guitarist John Chiodini.

Stanley’s voice is flawless: Her tone, range, enunciation, warmth and phrasing are superb, and she “sells” a song as well as anyone alive today. No surprise, she’s quite popular. Her albums sell in the tens of thousands globally, which — considering the relatively limited “buying audience” that exists for jazz today — is exceptional.

So, why the caveat regarding her style? Well, Stanley doesn’t swing like artists such as Anita O’Day, Kim Nazarian, Ella Fitzgerald or Billie Holliday. Stanley is more like Sarah Vaughn, although she could swing like crazy, when it suited her. (Remember her cover of “Cherokee”?)

Still, anyone who collaborates with the range of arrangers, producers and musicians assembled for this album — and her earlier releases — surely has a passport to the jazz genre, as far as I’m concerned. Call it what you will, this much is certain: Stanley is in a class by herself.

Michael Dees: The Dream I Dreamed

Jazzed Media
By Ric Bang
Buy CD: The Dream I Dreamed

I’ve not reviewed a male vocalist for quite some time, but then ages have passed since coming across one as good as Michael Dees. That’s actually a shame, because he has been around for years; Dees is a “stealth” singer with a quite lengthy résumé, but he simply isn’t well known to the public.

Which doesn’t mean that you’ve not been exposed to him, although likely without being aware of it. Dees had a long career as a studio singer. Back in the 1960s, he appeared on TV’s Steve Allen Show; he recorded an album of his own music; he soundtrack work in numerous films, including the TV movies The Rat Pack and The Mystery of Natalie Wood, along with hundreds of commercials and jingles. For the most part, though, he was singing “other people’s songs.”

This release features his own stuff, both lyrics and music. And it’s excellent.

It may be a bit of a stretch to identify Dees as a jazz singer, but if icons such as Frank Sinatra are so classified, then so be it. Dees’ voice is gentle, warm and smooth, and his interpretation is sincere. He means every line he sings, and his inflections and timing are both jazz-related; whether the style is balladic or up-tempo, he swings.

He also recognizes the value of being backed by excellent musicians. The combo that supports him here features pianist Terry Trotter, bassist Chuck Berghofer and drummer Steve Schaeffer, along with Steve Huffsteter and Sal Marquez on trumpet and flugelhorn, Bob Sheppard and Doug Webb on woodwinds, and Don Williams on percussion. The group is truly jazz oriented, and the arrangements of Dees’ 14 tracks give them plenty of room to demonstrates their prowess.

Most of the songs are love-themed ballads; they come across as a possible biographical history of the singer’s life. The “stories” they tell require clear and understandable lyrics, and Dees certainly provides that.

As an “elder citizen” — Dees is in his 70s — he’s on par with the best singers past and present.

The Trio: Live at Charlie O's

Fuzzy Music
By Ric Bang • Originally published in The Davis Enterprise, 5.6.10
Buy CD: Live at Charlie O's

The Trio consists of bassist Chuck Berghofer, pianist Terry Trotter and drummer Peter Erskine; Charlie O's is a jazz club in Valley Glenn, Calif.; and this is one of the best small groups I've heard in ages.

There are musicians, professional musicians and just a very few true musicians like these three individuals, who posses a combined century's worth of experience. A list of the bands and artists they've worked with would fill an entire page, but the key element is that each has performed extensively in back-up groups for vocal icons (Frank Sinatra, Ella Fitzgerald, Mel Torme) and top-ranked bands and instrumentalists (Diana Krall, Stan Kenton, Shelley Manne).

After Berghofer, Trotter and Erskine decided that their touring days were over, they settled into teaching and studio work. For kicks, they play together at clubs such as Charlie O's.

Which is great for the rest of us.

This album is a collection of originals and some of the best standards ever written. When did you last hear “Put Your Little Foot Right Out”? Well, here it is, in a jazz idiom. Two beautiful classics — “Ghost of a Chance” and “How Deep Is the Ocean” — also are present, along with the lesser-known “Afternoon In Paris.”

This isn't background music; it'll grab you by the throat and keep you riveted to the performers. Although Trotter's piano carries the responsibility for the melodic lines and much of the solo work, boredom never sets in. Berghofer's bass is elegant, and Erskine is one of the tastiest drummers working.

Since receiving this album, not a day has passed that I haven't played it. This Trio is mesmerizing.